In 2014, Maggie Dunn and I initiated a project creating and installing large-scale collaborative sculptures in the Visual Arts Building at Kennesaw State University. What began as a look into the relationship of humans and health, transformed into an exploration of the psychological paradigm of anthropomorphic forms. Anthropomorphizing means giving inanimate objects human-like qualities, consequently giving them responsibility for their own actions. These sculptures are created with the intent to mimic life, to show the journey of growth, and to portray a sense of community between individual pieces.

Maggie and I were primarily drawn to depicting roots - giving them life came second. Once we figured out why we were attracted to anthropomorphic roots, our work suddenly opened a discussion about community, energy, and the interchange of ideas. Each sculpture possesses the ability to successfully stand alone, but when existing together the relationships between the pieces become obvious.

Our investigation led to highlighting the binary of natural and manufactured forms of communication. Initially the manufactured materials we use imposed a strange division between our concept of creating apparently naturally existing forms, and the execution. Our manufactured materials (wire, paper, and various electrical equipment) and organic roots are indisputably connected. Both are tools used to communicate and process energy. On one side we have nature's given system of transmission; a gentle meandering of complex and organic networks. On the opposing side is the more direct, simplified, human-made structure derived from the pre-existing natural form. Our installations force both sides of this binary to coexist and thrive within each piece of work.

Our work with Origins has been featured in Kennesaw State University's Undergraduate Research and Creative Activity Newsletter & presented at Kennesaw State University's UR Radnocular: The Sampler.

Photography: Shane McDonald